Issue 10 - Women and Media in the Twenty-First Century In celebration of its tenth issue, Alphaville is proud to introduce this special issue on Women and Media as a reflection of the journal’s enduring interest in, and desire to contribute to, this dialogue. The process of digitisation of cultural assets, while playing a key role in sharing knowledge, still represents a challenge for European and global heritage. Issue 11 - Cinema Heritage in Europe The safeguarding, preservation and valorisation of the cultural heritage has increasingly become associated with the process of making cultural heritage assets available online (“Towards an Integrated Approach”).
#FILM BIOSKOP 21 2015 CODE#
Landscape, which gives up the dreams of spotless perfection of the binary code for the Skeumorphs and remediations are common presences in our increasingly digital cultural Revival styles, vintage fashions, retro phenomena,
Issue 12 - The New Old: Archaisms and Anachronisms across Media Transmedial and transcultural expressions of nostalgia are ubiquitous in ourĬontemporary popular culture. The shifting global political and societal milieu. However, the representation of race has changed over the last decade.
#FILM BIOSKOP 21 2015 TV#
Our increasingly diverse global society is still not reflected in the shows and films we see on TV or in the cinema. Often, the representation of ethnic minorities is lacking authenticity and is still characterised by decades-old stereotypes. Issue 13 - Screening Race Racial minorities have long been excluded, marginalised and misrepresented on the big and the small screen. Dimitris Eleftheriotis suggests that this delay is paradoxically due to the self-evident nature of cinema as a cosmopolitan medium, as films and cinematic culture. Compared to other disciplines across the humanities and social sciences, cinema has been relatively slow to adopt cosmopolitanism as a critical tool. Issue 14 - For a Cosmopolitan Cinema The recent cosmopolitan turn in film studies has coincided with the emergence of a new set of valuable theoretical perspectives.
#FILM BIOSKOP 21 2015 SERIES#
As part of this, we presented a series of provocations with a view to generating a new theoretical framework for i-docs.1 These provocations were inspired by all aspects of Bakthin’s polyphony, from both a theoretical and a practical point of view. The idea for this special issue of Alphaville originated at the i-Docs 2018 Symposium, held in March 2018 in Bristol, UK, where we jointly convened a discussion on the potential engagement of the interactive documentary (i-doc) form with Mikhail Bakthin’s expanded concept of polyphony. Issue 15 - I-Docs as Intervention: The Poetics and Politics of Polyphony The 2017 promotional campaign that launched Season Nine of Logo’s award-winning reality competition TV series RuPaul’s Drag Race (RPDR) spoke directly to anxieties circulating within LGBT communities in the US and beyond as a result of the 2016 election of Donald Trump (LogoTV). Queerness has always been marked by its untimely relation to socially shared temporal phases, whether individual (developmental) or collective (historical).
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